The show is no longer about a single predator who fixates on women it’s about a couple of predators who have to balance their own impulses with checking one another’s.
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In Season 3, You has room to unpack the full potential of that twist. Off to Madre Linda they went! Even killers’ kids need good schools and a spacious backyard.
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Plus she was pregnant, taking Joe’s preferred quick fix (the fatal kind) off the table. Love, it turned out, was every bit the deceptive schemer Joe was, and just as capable of committing manslaughter on a whim. All season, Joe pursued chef and faux-Erewhon heiress Love Quinn (Victoria Pedretti), convinced she was his soulmate. (Enough fans weren’t getting the message that Badgley had to personally shoot down a few thirst tweets.) But in the final moments of Season 2, You made a pivot. At a certain point, the show risked becoming the story of a guy who literally, and repeatedly, gets away with murder-a shrewd exaggeration of sexism that still underscored a sexist status quo. You’s high-wire act may have been successful, but it wasn’t sustainable. ‘You’ Season 2’s Greatest Strength Is Dragging Los Angeles ‘You’ Is the Latest Beneficiary of the Very Real Netflix Bump And Joe may think himself a romantic, but Badgley gives him the bug eyes and straining grin of a guy who can’t quite pull off his sensitive-bookworm disguise. Done poorly, the savage portrait of paramours like Guinevere Beck (Elizabeth Lail) would add insult to injury not only does she end up dead, she’s also a terrible writer! But on You, it’s an indirect attack on the man who puts them on a pedestal. The show shares his contempt for literary pretension (New York) and showbiz aspiration (L.A.), but it also shows us what Joe can’t or won’t see: that the women he idealizes are actually kinda basic, and that Joe himself is a creep. The invasive mean streak implied by that reveal was incidental, the unintended result of writers straining for surprise on You, another show starring Badgley as a lovelorn voyeur, Joe’s dark side takes center stage. Badgley rose to fame as Dan Humphrey, Gossip Girl’s “Lonely Boy” who turned out to be its namesake. Yet its tone is viciously funny, starting with the perfect in-joke of its casting.
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You tells an objectively disturbing tale: Joe is a serial stalker, manipulator, and killer. The show’s initial formula proved improbably effective. top 10 as of Wednesday, dethroning Squid Game. The third season leads the service’s U.S. You was then acquired by Netflix and the first season exploded in popularity. The show initially premiered on basic cable, which was an awkward match for its millennial demo. Besides the cross-country move, the biggest difference between Seasons 1 and 2 was their distribution. In its first two outings, You repeated the same basic pattern: Psychopath Joe Goldberg (Penn Badgley), a Patrick Bateman for the age of indie boys, becomes infatuated with a girl, and his crush quickly escalates to violent extremes. Last year’s “Wellkend” summit is this year’s “W.O.M.B.,” short for “Women Optimizing Motherhood and Business.”īut the biggest shifts this season are anything but cosmetic. The new characters are another kind of wealthy West Coast liberal, yet the narcissism of small differences is where comedy thrives. Freed from the land of improv troupes and ultra-organic groceries, the writers can sink their teeth into a new set of satirical targets: polyamory biohacking tech surveillance and apps.
The move allows for a fresh wave of the place-based satire that’s become one of the show’s primary pleasures. After spending Seasons 1 and 2 in New York and L.A., respectively, the third chapter of the Lifetime turned Netflix thriller sets up shop in Madre Linda, a Silicon Valley suburb à la Atherton, California, or Palo Alto. In the latest season of You, many changes are a matter of geography.
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